The Criterion Collection
The Daily
Oct 6, 2017 — Back when Projections was still called “Views from the Avant-Garde,” the New York Film Festival described its program as a “yearly touchstone for experimental film.” Now neither of those terms—“avant-garde” and “experimental”—are quite broad enough to encompass all that goes...
The Daily
Sep 30, 2017 — “It would seem that curators have replaced bankers as the villains du jour,” writes Jörg Heiser in a piece for frieze that addresses, among other showdowns, one here in Berlin that’s just resulted in the police clearing out occupiers from...
The Daily
Aug 27, 2017 — Tobe Hooper, whose 1974 shocker The Texas Chain Saw Massacre “became one of the most influential horror films of all time,” as Pat Saperstein puts it in Variety, has passed away at the age of seventy-four. Saperstein: “Shot for less...
Feb 20, 2017 — Joan Crawford delivers one of her greatest performances in Michael Curtiz’s unsparing look at class, ambition, and the all-consuming intensity of maternal love.
Aug 13, 2015 — The films Agnès Varda made while living on the West Coast of the United States are some of the most searching and challenging of her stellar career.
Feb 25, 2013 — When an ethnographic filmmaker and a sociologist joined forces, they helped change the course of nonfiction cinema.
Dec 11, 2012 — The climate change expert discusses how Godfrey Reggio’s films presaged widespread concern about global warming and warned about the dangers of consumerism.
Essays
Aug 24, 2010 — I n a photograph of Josef von Sternberg from 1937, he looks like a character from one of his own films: a turbaned magus with elegantly trimmed beard and mustache, holding a cigarette as he gazes out obliquely, with the...
Sep 17, 2024 — A vision of late-1970s London that foreshadows the political volatility of the Margaret Thatcher era, this gangster saga stars an unforgettably tempestuous Bob Hoskins as a little Englander with big dreams.
The Daily
Jul 12, 2021 — The British director’s autobiographical sequel is one of the most enthusiastically reviewed films at Cannes so far.