Army of One

May 29, 2019 — In Anna Biller’s vibrantly colored fantasias, there’s not a glimmer of a sequin that hasn’t been envisioned by the artist herself. A writer, director, actor, producer, editor, composer, costume and production designer, and set decorator, she’s a one-woman studio, building...

May 7, 2019 — “The emotion and conflict between two people in a drawing room can be as exciting as a gun battle, and possibly more exciting,” wrote William Wyler on the release of his film The Heiress in 1949. This tenet is fully borne out...

Feb 7, 2019 — It’s an inauspicious beginning for festival director Dieter Kosslick’s farewell edition, but there’s much to look forward to.

Jan 25, 2019 — Deep into Cristian Mungiu’s 2007 drama 4 Months, 3 Weeks and 2 Days, we sit in on a leisurely dinner-table chat that appears to be unrelated to the film’s main event, an illegal abortion conducted in a seedy hotel. After...

Nov 29, 2018 — The largest retrospective in the U.S. yet is on through mid-December.

Sep 10, 2018 — Hopes were high in Venice this year, and for the most part, they seem to have been fulfilled.

Sep 6, 2018 — New films by Jennifer Kent, Jacques Audiard, Paul Greengrass, and Pablo Trapero.

Jun 29, 2018 — The festival’s fifty-third edition also features the latest from Radu Jude and a tribute to the Austin Film Society.

Jun 13, 2018 — Can a screenwriter influence—even change—the course of film history? With his script for Rashomon (1950), Shinobu Hashimoto, who turned 100 this year, did just that. The film launched its director—Akira Kurosawa—to world fame and brought international audiences to the glory...

Apr 26, 2018 — In the Year of the Pig (1968) With the fiftieth anniversary of the May ’68 upheaval weighing so heavily on the cultural hive mind at the moment, now’s the perfect time for a retrospective of work by the radical director...