The Criterion Collection
Aug 23, 2019 — After more than three decades in front of the camera, Natasha Lyonne understands a thing or two about what makes on-screen charisma. Previously best known for her early-career performances in films like Slums of Beverly Hills and But I’m a Cheerleader, she has in...
The Daily
Aug 1, 2019 — A new book and film series survey the many varied ways filmmakers from outside the country have viewed America.
The Daily
Jun 13, 2019 — She turned roles as women past their prime into her greatest triumphs.
The Daily
Jun 12, 2019 — Some of the best new independent films of the past year are lined up for the eleventh edition.
The Daily
Jun 4, 2019 — Before The Dead Don’t Die opens in theaters, two series offer crash courses on a singular oeuvre.
The Daily
May 15, 2019 — The star-studded zom-com has been met with a first round of mildly appreciative reviews.
Features
May 2, 2019 — “To begin with, Gone with the Wind is a woman’s story . . . Mr. Cukor, one of Hollywood’s finest directors and the man who has directed Hepburn and Garbo in some of their best, is known as a woman’s...
The Daily
May 2, 2019 — The new issue features essays on work by Joanna Hogg and Olivier Assayas and a celebration of its publisher’s fiftieth anniversary.
Apr 1, 2019 — The artist, photographer, and filmmaker leaves behind one of the most varied and restless oeuvres in cinema.
The Daily
Mar 1, 2019 — Barbara Hammer gives an “exit interview,” Béla Tarr discusses Sátántangó, and Neil Jordan writes about the projects that got away.