The One

Aug 22, 2023 — A new restoration of Roemer’s brisk and oddly endearing 1969 comedy screens in New York, Los Angeles, and Chicago.

Aug 16, 2023 — This month’s roundup spotlights summer blockbusters, historical perspectives, and dazzling costumes.

Aug 10, 2023 — “You’re the company I waited so long for,” Dr. Rosetta Stone (Tilda Swinton) says to her three Self Replicating Automatons in Teknolust (2002), artist Lynn Hershman Leeson’s sci-fi farce about a scientist’s well-meaning pursuit of artificial life. Stone’s color-coded clones...

Aug 1, 2023 — “Do you want me to turn them loose?” This is what cowboy Perce asks a sad-eyed Roslyn in John Huston’s elegiac The Misfits (1961), and that one question about untying the mustangs he and fellow wranglers Gay (Clark Gable) and...

Jul 19, 2023 — This month we’re reading Pasolini, Chris Marker, Christian Petzold, Lorenza Mazzetti, Derek Jarman, and more.

Jul 14, 2023 — This week, we’re reading conversations with Cheryl Dunye, Christian Petzold, and Whit Stillman.

Jul 11, 2023 — In her audacious debut feature, Cheryl Dunye blends romantic comedy and staged archival material to explore love, friendship, and early U.S. cinema’s history of exclusion.

Jul 10, 2023 — Writer-archivist-filmmaker Jenni Olson and critic Caden Mark Gardner discuss Masc, a collection of films on the Criterion Channel that explores the many forms of masculinity beyond the realm of cisgender men.

Jul 7, 2023 — This week gives us a new Cinema Scope, an Ernst Lubitsch podcast, and an interview with John Woo.

Jul 5, 2023 — Antoine Bourges’s subtle portrait of a Syrian family in Toronto will open on July 21.