The Artist

May 19, 2008 — Top fashion models bleeding from sharp-edged aluminum dresses. A comic-strip American superhero oozing stigmata. A naked couple electrically zapped for the delectation of the TV-viewing public. These are some of the images from the fiction films of American expatriate in...

Mar 4, 2002 — Wong Kar-wai’s biggest commercial success to date elevated him to the mainstream of international art house cinema, and it echoes the end of an era with pure melancholic power.

May 12, 2026 — Sexuality—how one defines it, lives with it, hides it, shuns it, or wields it—is inextricable from matters of socioeconomic class, though rare is the American film that centralizes this intersectional reality. The foundational myth of the American dream puts forth...

Apr 9, 2026 — Ryusuke Hamaguchi, Asghar Farhadi, Paweł Pawlikowski, Na Hong-jin, Cristian Mungiu, and Ira Sachs are headed into the main competition.

Mar 31, 2026 — Violently nihilistic, simultaneously energizing and crushing, Tsui Hark’s remake of the martial-arts classic One-Armed Swordsman captures the zeitgeist of pre–1997 handover Hong Kong.

Mar 9, 2026 — The comprehensive retrospective can be a daunting prospect, but programmer David Schwartz has spotlit five essential features.

Feb 27, 2026 — Tony Kushner revisits Munich, a Satyajit Ray restoration hits theaters, and the new Film Quarterly is out and free.

Feb 6, 2026 — There’s an AI-driven reconstruction of The Magnificent Ambersons underway, a restoration of Michael Almereyda’s Nadia in theaters—and more.

Nov 7, 2025 — Ira Sachs’s new film opens this week, plus: Joy Williams on Gene Hackman and Claire Atherton’s work with Chantal Akerman.

Oct 28, 2025 — Selections from the independent Cannes sidebar will screen in New York and Los Angeles.