The Criterion Collection
Essays
Oct 25, 2011 — The film is made up of a succession of small visions, observed and executed with apparent ease but thought through with such exquisite care and attention that the experience becomes overwhelming.
Sep 27, 2011 — Internationally, Victor Sjöström is best known for his performance as Professor Isak Borg in Ingmar Bergman’s Wild Strawberries (1957). But behind that unforgettable face of old age is a younger man, a leading actor who was also the greatest Swedish...
Jul 26, 2010 — The Story of a Cheat: Breaking the Rules While most filmmakers arrive at their profession already possessed of a vigorous love of cinema, Sacha Guitry saw the form, at least at first, as a necessary evil. Paris’s most popular and prolific...
A delicate hand, effervescent humor, and an economy with words and images define this German director, who became a legendary figure in Hollywood comedy.
Dec 1, 2009 — In the eight films he’s made since 1991, Arnaud Desplechin has been developing a visionary world, a personal style that goes against the grain of standard cinematic practice today. He’s a master of ensemble mise-en-scène and a brilliant director of...
Nov 11, 2009 — As a member of the Harlem Amateur Players, Robeson had heard a great deal about Brutus Jones from the Playhouse’s set designer, Cleo Throckmorton. Moved by Robeson’s performances with the Manhattan-based troupe, Throckmorton was the first to approach him about...
Mar 18, 2009 — Writer, critic, and film lecturer Teruyo Nogami also served as one of Akira Kurosawa’s principal assistants. Hired as script supervisor on 1950’s Rashomon, Nogami went on to work on all of Kurosawa’s subsequent films, later chronicling their unique relationship in...
Essays
Nov 23, 2008 — The possession of a real voice is always a marvel, an almost religious thing.
Aug 18, 2008 — One of the most awarded films in Japanese history, Keisuke Kinoshita’s nostalgia piece unfolds a celebration of family values and scenic beauty.
Essays
Aug 2, 2004 — This kinetic and ineffably voluptuous musical is the happiest and most exuberant ripple in Jean Renoir’s career as a river of personal expression.