The Criterion Collection
Sep 27, 2019 — Charlie Chaplin gave The Circus (1928) one of his favorite themes, some of his most sublime gags, and an incomparably poignant ending. It’s a hugely personal work, which draws on moments from his whole career, from his early stage work...
The Daily
May 8, 2019 — New restorations premiering in Cannes and Karlovy Vary and series in New York and London testify to our ongoing fascination.
The Daily
Feb 11, 2019 — Thomas Heise, Stephan Geene, and Lei Lei innovatively reconstruct stories from the not-so-distant past.
The Daily
Nov 16, 2018 — Critics Serge Daney and V. F. Perkins and filmmakers Dziga Vertov, William Friedkin, and Alfonso Cuarón are among the subjects of this week’s highlights.
Visual Analysis
Sep 18, 2018 — One of cinema’s most charismatic canines shows off his comedic chops in Leo McCarey’s screwball masterpiece The Awful Truth.
The Daily
Sep 4, 2018 — A series at Anthology Film Archives and an archived special feature make for fine companions.
Aug 30, 2018 — By posing provocative questions about revolutionary politics, Tomás Gutiérrez Alea brought Cuban filmmaking onto the international stage.
Essays
Jun 24, 2018 — During a period when studios gave him carte blanche, Josef von Sternberg created a sublime cinematic language that shrugged off one orthodoxy after another.
Feb 6, 2018 — A key collaborator on Michael Ritchie’s Downhill Racer and the creator of two Olympic films, Joe Jay Jalbert chats with us about the art of capturing skiing on-screen.
The Daily
Dec 7, 2017 — Night of the Living Dead, the “multi-platform VR experience”? As Janko Roettgers reports for Variety, the virtual reality production company Supersphere and Image Ten, the company co-founded by the late director George A. Romero, are planning to turn the 1968...