The Criterion Collection
Jan 13, 2018 — Even as we anxiously await If Beale Street Could Talk, based on the novel by James Baldwin and Barry Jenkins’s followup to Moonlight (image above: directing Alex R. Hibbert), he’s already attached to another project, as Deadline’s Mike Fleming Jr....
The Daily
Jan 12, 2018 — The sixty-eighth Berlin International Film Festival is just over a month away now, running from February 15 through 25, and so far, we’ve seen first rounds of titles lined up for the Competition and the Panorama, Generation, and Shorts programs—as...
The Daily
Jan 10, 2018 — Screenwriter Todd Alcott has a new book out, Kubrick: Five Films: An Analysis, the fourth volume in his series, What Does the Protagonist Want? In a series of nine posts at his site, he walks us through Barry Lyndon (1975),...
The Daily
Jan 10, 2018 — Before looking back on the highlights of his 2017 in an entry for Filmmaker, Vadim Rizov has a note or two on attending the recent New York Film Critics Circle awards dinner: The very concept of a critics’ award ceremony...
The Daily
Jan 8, 2018 — New York. “If the promise of canonical film school heartthrobs—among them Marcello Mastroianni, Ugo Tognazzi, and Michel Piccoli—gorging and fucking themselves to death in a provincial villa sets your heart a-racing, close that incognito tab and treat yourself to La...
The Daily
Jan 8, 2018 — “If you were dream-casting the role of Golden Globes host for the season of #MeToo and #TimesUp, with black-clad attendees from TV series and films that confronted misogyny (The Handmaid’s Tale) and racism (Get Out) and a barnburner of a...
Jan 2, 2018 — John Hughes created the blueprint for the American teen movie with this pop-culture phenomenon, finding the humanity in an assortment of high school archetypes.
The Daily
Jan 2, 2018 — New York. “Starting in the mid-1960s, Michelangelo Antonioni became what the German essayist Hans Magnus Enzensberger would call a ‘tourist of the revolution,’” writes J. Hoberman in the New York Times. “Antonioni left Italy to make Blow-Up (1966) in swinging...
The Daily
Dec 29, 2017 — From C. Mason Wells comes word that Dan Talbot, founder of New Yorker Films (and pictured above in front of the New Yorker Theater with Alfred Hitchcock), has passed away. “Alongside his wife Toby, few did more for world cinema...
The Daily
Dec 27, 2017 — Over the past couple of weeks, we’ve lost some writers who’ve made unique contributions to film criticism. At Film Studies for Free, Catherine Grant has posted an entry in memory of “radical film and media scholar” Chuck Kleinhans. “Along with...