The Criterion Collection
Jun 17, 2014 — The brutal lessons of Vietnam remained in America’s national consciousness for a generation. September 11 gave us collective amnesia, and they’ve had to be learned again.
Jul 30, 2013 — Guillermo del Toro’s ghostly fable beautifully reflects the director’s fascination with the personal and the political.
Essays
Oct 4, 2011 — No film better illustrates Pier Paolo Pasolini’s challenge to conventional representations, to the social and cultural consensus, than his 1976 masterwork.
May 25, 2010 — In the films of Stan Brakhage, the viewer’s role must be reimagined: from a passive receiver to one who meets the film halfway, actively plumbing the depths of its imagery and the various themes and ideas suggested by its subject...
Jul 21, 2008 — Akira Kurosawa’s modern adaptation of an American thriller represents a departure from his usual themes and stylistic choices.
Apr 23, 2007 — Louis Malle’s documentary work adopts certain tenets of cinéma direct—improvisation, minimal crew, the refusal to organize reality—and applies them to a consistently class-conscious, outsider perspective.
Jun 23, 2003 — The following text is from Michael Töteberg’s presentation of a collection of Fassbinder screenplays (The Merchant of Four Seasons, Ali: Fear Eats the Soul, Fontane Effi Briest), which were published in Germany as Fassbinders Filme, Band 3 (Fassbinder’s Films, Vol....
The Daily
Jul 22, 2026 — This year’s Gala and Special Presentations will include new work from Tim Blake Nelson, Takashi Miike, Wayne Wang, and Anton Corbijn.
The Daily
Jul 10, 2026 — We’re celebrating the Harry Dean Stanton centennial, listening to Ross McElwee and Tsai Ming-liang, and revisiting the work of Bruce Conner.
The Daily
Jun 9, 2026 — The screenwriter, director, and novelist will take an active part in all ten screenings in a TIFF Cinematheque series.