The Criterion Collection
May 2, 2022 — MoMA and the Harvard Film Archive present a program of more than forty overlooked features.
Apr 26, 2022 — In the opening moments of Arie and Chuko Esiri’s Eyimofe (This Is My Desire) (2020), we first hear—the ceaseless hum of machines at work—and then see: a jumble of multicolored wires. The 16 mm film image is grainy, trembling ever...
Apr 26, 2022 — Bertrand Tavernier was well known as one of the world’s great champions of cinema, in addition to being a great filmmaker himself. He was also a lifelong student and fan of jazz music and had been wanting to make a...
Apr 25, 2022 — The monthly program will feature introductions, interviews, and more supplements.
The Daily
Apr 22, 2022 — Cannes tops off its lineup, and we’re reading about Rivette, Resnais—and more.
Apr 19, 2022 — Vittorio De Sica’s neorealist fable deploys barbed humor and surreal flourishes to depict class solidarity and human kindness in postwar Italy.
The Daily
Apr 13, 2022 — Marguerite Duras and Jean-Luc Godard, Cahiers du cinéma’s radical years, and Todd Haynes are among this month’s highlights.
The Daily
Apr 8, 2022 — This week we’re imagining possible futures with David Lynch, Apichatpong Weerasethakul, Pier Paolo Pasolini, and Gus Van Sant.
The Daily
Apr 7, 2022 — An exhibition exploring the lasting impact of feminist video collectives opens today in Vienna.
The Daily
Apr 5, 2022 — A series at Vulture and Karina Longworth’s You Must Remember This revisit the erotic movies of the 1980s and ’90s.