The Criterion Collection
Essays
Jan 8, 1996 — Dodes’ka-den was made at a low point in Akira Kurosawa’s long career-perhaps the lowest that the director has ever known. In the preface of the filmmaker’s autobiography, critic and translator Audie Bock reports that Kurosawa’s commercial prospects became bleak in...
Oct 25, 1994 — Jim McBride’s David Holzman’s Diary, made for less than $3000 over 5 days of principal photography, manages to be twenty years ahead of its time and perfectly of its time. Spiritual forebear to the contemporary low-budget American independent film movement...
Sep 23, 1993 — Two men, one woman and a boy. French director Bertrand Blier fashions out of this bizarre love quadrangle a film of seamless beauty, high farce and, finally, haunting majesty. To experience Get Out Your Handkerchiefs is to watch a master...
Essays
Apr 6, 1993 — Robert Altman’s darkly witty, gleefully close-to-bone satire of Hollywood is also a return to the infinitely sly and supple virtuosity that marked his great work of the ‘70s.
Jan 5, 1993 — All right, I’ll just say it. Monty Python and the Holy Grail is the most sublimely irreverent, most jaw-droppingly hysterical movie of the last twenty years. How many films, after all, have Knights who say “Ni!,” filth-eating peasants, and 160...
Mar 9, 1992 — The ads for Boyz N the Hood, the debut of a 23-year old writer-director named John Singleton, treated the film as if it took place in another galaxy—a mysterious fiefdom far, far away. And so it does, set in a...
Essays
May 20, 1991 — In 1941, director Frank Capra was at the peak of his profession with a string of critical and popular successes behind him—next would come his adaptation of a farcical and macabre stage play.