The Criterion Collection
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May 17, 2021 — Koresky and his mother revisit ten films from the 1980s, a decade abundant with vital performances from female stars.
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May 14, 2021 — Look who’s back: Alain Delon and Romy Schneider, Charlie Chaplin, Dee Rees, and . . . Cop Rock?
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May 14, 2021 — The ten-episode adaptation of Colson Whitehead’s novel is a conscious “act of seeing.”
May 11, 2021 — Dorothy Arzner’s deeply cynical portrait of marriage exemplifies the director’s ambivalence toward the norms dictating female behavior, wielding ironic detachment to mask one woman’s simmering inner turmoil.
May 11, 2021 — When Fast Times at Ridgemont High came out, in the summer of 1982, I was almost exactly the same age as Jennifer Jason Leigh’s Stacy Hamilton, getting ready to start my sophomore year in high school. Like Stacy’s world-weary older...
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May 7, 2021 — This week we celebrate Elaine May, Ulrike Ottinger, Liza Minnelli, and Madonna while paging through the new Senses of Cinema.
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May 7, 2021 — Critics celebrate the new 4K restoration of The Story of a Three Day Pass (1968).
May 6, 2021 — Fame, as the Chilean writer Roberto Bolaño once observed, is reductive. “Everything that ended in fame and everything that issued from fame was inevitably diminished,” he wrote in 2666, an epic novel published after his death.What Bolaño identified as the...
May 5, 2021 — Deep Dives THE LIFE OF THE LANDIS PERPETUATEDIN RIGHTEOUSNESS one of the protest signs depicted (poetically, upside down) in The Sand Island Story Victoria Keith was a high school teacher, in 1976, when she heard about the pending eviction of two farming communities on Oahu’s East Shore....
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May 3, 2021 — A German mother travels to Hong Kong in search of her son—and herself—in one of the highlights of this year’s New Directors/New Films.