The Way

Jun 12, 2017 — Informed by his work in theater and his travels through rural America, Nicholas Ray brought an outsider’s perspective to genre filmmaking in his debut feature.

Dec 26, 2016 — PerformancesTraveling through the subterranean portals of Videodrome like an introverted wraith, Deborah Harry carries herself with the wry, burned-out, but still titillated instincts of a voyager buying a one-way ticket for the outer limits. A vivid, smallish part can either...

Oct 13, 2016 — From its diffusely structured narrative to its innovative cinematography, this radical western is a showcase for Robert Altman’s iconoclastic style.

Aug 23, 2016 — Tony Richardson’s era-defining exploration of sexuality, race, and working-class life brought a uniquely female perspective to England’s Free Cinema movement.

Apr 19, 2016 — In Whit Stillman’s second feature, cousins Fred and Ted Boynton (Chris Eigeman and Taylor Nichols) navigate an occasionally hostile culture and their own late transitions to adulthood.

Feb 25, 2016 — Repertory PicksFrom now until April 25, Emory University’s Emory Cinematheque in Atlanta will be hosting the series French New Waves: Classics and Rediscoveries. In addition to seminal works of the nouvelle vague, the series will be showcasing some celebrated precursors...

Feb 16, 2016 — In Death by Hanging, Nagisa Oshima spins a complex aesthetic web around his documentary-like structure, packing detail, history, politics, and emotion into his surrealist inquiry into capital punishment.

Jul 27, 2015 — 1. My Beautiful Laundrette launched a number of careers: that of writer Hanif Kureishi, soon to be regarded as one of the most important voices of his generation; those of producers Tim Bevan and Sarah Radclyffe, whose then fledgling company, Working...

May 22, 2015 — It is one of my most strongly held critical beliefs that you should not write about films you don’t like. First, it is bad for the soul to exult in pointing out the deficiencies of the film in question. Second,...

Feb 11, 2015 — With its provocative ambiguities, tender compassion, and fragmented editing style, this supernatural classic is a pure dose of Nicolas Roeg.