The We and the I

Jan 22, 2013 — Andrei Tarkovsky’s austere, minimalist, and poetic film was the first major accomplishment in an oeuvre that would become one of Russia’s main contributions to the treasury of world cinema.

Jan 11, 1988 — In Young and Innocent (1937) Alfred Hitchcock uses all the signs in his visual vocabulary to tell one of his favorite stories: fugitive hero unjustly accused of murder. Yet this is also a story of youth and innocence triumphant—a light...

Jul 25, 2011 — A fearless tragicomedy about hope, dread, longing, and forgiveness, Life During Wartime (2010) is Todd Solondz’s boldest and most haunting movie to date, carrying his exploration of Middle American malaise into new territory. As before, he probes the dreams, dissatisfactions,...

Jun 27, 2011 — Shot in Berlin on the eve of the Great Depression with almost no budget, an equally modest cast of amateur actors, a relatively untested, unknown crew, and no major studio backing, the late silent film People on Sunday (1930) has...

Apr 18, 2011 — An Eagle for an Emperor, a Gyrfalcon for a King;   a Peregrine for a Prince, a Saker for a Knight, a Merlin for a Lady;   a Goshawk for a Yeoman, a Sparrowhawk for a Priest,   a Musket...

The actor, known for his performances in Looking, We the Animals, and The Inspection, talks about two classics that inspired him to make movies and his love of Orson Welles’s gift for self-reinvention.

Mar 20, 2025 — This month, celebrate the career of one of our greatest contemporary actors, explore a gritty period in New York City’s history, and look back on the legacy of the Vietnam War.

Aug 13, 2024 — This month brings riveting courtroom dramas, New American Cinema classics, giallo shockers, pre-Code gems by women screenwriters, and a new episode of Adventures in Moviegoing.

Mar 18, 2024 — Among this month’s highlights are a collection of noir classics from the genre’s peak year, a Jean Eustache retrospective, and our favorite movies that unfold within a tight timespan between dusk and dawn.

Jul 9, 2007 — Set almost entirely in a single house, Hiroshi Teshigahara’s eloquent collaboration with writer Kobo Abe shows both his powerful staging and his love of fine, almost microscopic, detail.