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The Other Me

49th Parallel

Essays

Dec 9, 1990 Michael Powell’s war thriller ranks alongside Hitchcock’s Foreign Correspondent as one of the two finest amalgams of suspense and propaganda to grace the big screen during the years 1939-45.

Plymptopia

Features

Sep 1, 2020 It’s not impossible to be a lazy, shrug-it-off filmmaker, just as it isn’t to be a lazy painter or novelist, or, more to the point, a lazy comic artist, drawing each picture merely once and then moving on. (You could...

Jun 22, 2020 Songbook At first it’s just one of many Fellini-esque dances: a band switches to an upbeat tune, Nino Rota’s “Caracalla’s (La Bersagliera),” and a previously dour party becomes an impromptu circle of ecstatic movement. Though overshadowed in La dolce vita...

May 21, 2020 Judy O’Brien, a ballerina working in a burlesque show to make ends meet, has finally had enough. In the middle of an especially humiliating performance, the audience’s jeering reaches such a peak that she stops, walks down center stage, hands...

Apr 14, 2020 Whether or not you believe it is the greatest year of all for the Hollywood studio system, the wonder of 1939 is the sheer depth of its bench. On a ten-movie best-picture ballot, the Oscars found no room to nominate...

Jul 25, 2014 Erik Skjoldbjærg’s sun-drenched noir follows a detective trying to conceal his amoral actions amid unforgiving daylight.

Feb 18, 2016 The Kid marked Charlie Chaplin’s wholehearted embrace of sentiment, which he intertwined with the slapstick he was known for to enrich his Tramp character and carry the narrative of feature-length directorial debut.

Feb 1, 1988 Based on the novel by W.T. Burnett, this heist film set in a nameless midwestern city offered moviegoers in 1950 a new view of crime.

Fidelio

The Daily

Dec 19, 2025 This week: Kubrick conspiracies, Malickian movies, Spike Lee’s musical moments, and a talk with Rebecca Hall.

Sep 28, 2022 Uday Shankar’s fantastical dance epic embodies a progressive, postcolonial Indian aesthetic that is decades ahead of its time.

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