The Criterion Collection
The Daily
Sep 28, 2018 — Elisabeth Moss steers a ’90s-era rock band towards self-immolation.
Aug 26, 2018 — Tomás Gutiérrez Alea brought cinema to the center of Cuban society with this richly ambiguous portrait of postrevolutionary Havana.
Aug 23, 2018 — The director of Computer Chess and Support the Girls finds in John Cassavetes a surrealist whose weirdest set pieces could make David Lynch blush.
The Daily
May 4, 2018 — Cannes 2018 Long Day’s Journey Into Night, courtesy of Wild Bunch This year marks two notable anniversaries for Un Certain Regard. The section, which runs parallel to the competition at the Cannes Film Festival, was inaugurated forty years ago, in...
The Daily
Apr 6, 2018 — The thirty-second edition of Il Cinema Ritrovato will run in Bologna from June 23 through July 1, and directors Gian Luca Farinelli, Mariann Lewinsky, Cecilia Cenciarelli, and Ehsan Khoshbakht have sent out a sneak peek of what’s in store: Portrait...
Essays
Mar 30, 2018 — This spectacular and technically ambitious Hollywood musical is a priceless window onto American pop culture’s view of itself in the 1930s.
Sneak Peeks
Mar 28, 2018 — Cinematographer Billy Williams talks about his experience creating the lush images and expressive lighting in Ken Russell’s boldly stylized adaptation of Women in Love.
The Daily
Mar 2, 2018 — New York. MoMA’s retrospective El Indio: The Films of Emilio Fernández is on through March 13. “With his longtime artistic comrade, the great cinematographer Gabriel Figueroa, Fernández directed the movies that gave arthouse audiences worldwide their vision of post-colonial Mexico...
Feb 28, 2018 — Classic Hollywood lovers have a lot to celebrate: FilmStruck has added hundreds of titles from the Warner Bros. library, including Casablanca, Citizen Kane, and Singin’ in the Rain.
The Daily
Feb 26, 2018 — The new Spring 2018 of Cineaste is out, and online, we find just a few previews of what’s inside, but a whole lot of web exclusives. “The Nixon presidency? Suddenly, it seems almost quaint,” writes Jonathan Kirshner. “But it was...