Good Old New Waves

The Daily

Dec 3, 2021 In the spotlight this week: Mario Monicelli, Michael Snow, Gordon Parks, Fronza Woods, and the Japanese New Wave.

Dec 3, 2021 What do amphetamines, intellectual property, and Sour Belts have in common? They all correspond to a letter of the alphabet that structures the world of Don’t Go Tellin’ Your Momma, the short-film companion to musician and filmmaker Topaz Jones’s funk-infused...

Dec 2, 2021 Artforum opens the season, and we already have best-of-2021 lists from Cahiers du cinéma and Vanity Fair.

Dec 1, 2021 So far, most critics have been gung ho, but a few are expressing reservations.

Nov 30, 2021 Lost films are not the only tragedy of the silent age. It’s time that we counted up all the forgotten stories, and the overlooked connections as well. The truth is that lost films and lost memories can’t be separated. One...

Nov 30, 2021 Maggie Gyllenhaal’s Elena Ferrante adaptation wins best feature, screenplay, and breakthrough director—and scores a nod for Olivia Colman, too.

Nov 24, 2021 We discovered this weekend that there is a problem with Blu-ray disc 1 in all of our Citizen Kane editions that affects the contrast in the feature film, starting around the 30-minute mark and lasting until the end of the film....

Nov 24, 2021 Mike Leigh, Hayao Miyazaki, Céline Sciamma, and Jessica Beshir discuss their work, and Farran Smith Nehme launches a newsletter.

Nov 23, 2021 First and foremost, Menace II Society is a movie for white people.These aren’t my words. These are the words of Albert Hughes, who codirected the movie with his twin brother, Allen. In several interviews, Albert has mentioned how he and...

Nov 23, 2021 Written and directed by the Safdie brothers, Josh and Benny, as a vehicle for two icons, funnyman Adam Sandler and basketball great Kevin Garnett, Uncut Gems (2019) is breathtakingly profane, alarming, and comic. Most simply described, the movie is one...

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