Dec 21, 2016 Garrett Brown in our kitchen reenacting a Steadicam-shot scene from Blow Out In 1975, the cameraman Garrett Brown revolutionized filmmaking technology with the Steadicam, an invention that brought together the agility and immediacy of a handheld camera with the smoothness and...

Dec 20, 2016 With only three features under her belt, German director Maren Ade has become one of contemporary cinema’s keenest observers of human behavior.

Dec 14, 2016 Pseudodocumentary collides with pure fantasy in Federico Fellini’s intricately layered portrait of his adopted home.

Graham Greene on Sabotage

On the Channel

Dec 13, 2016 Yesterday, we kicked off our Criterion Channel series Spy Games by sharing Graham Greene's review of Jacques Feyder’s Knight Without Armour, a highlight in the lineup. Today, we’re focusing on another title in the series, Sabotage, which marked “the first...

Dec 13, 2016 John Huston’s meticulously calibrated crime film combines nail-biting suspense with a mood of Chekhovian regret.

Dec 6, 2016 This elegiac meditation on impermanence showcases Laurie Anderson’s playfully experimental approach to sound and image.

Dec 6, 2016 Photo by Janet Pierson In the late eighties and early nineties, American independent film was coming into its own both artistically and commercially, and John Pierson was at the center of the movement. Once described by the New York Times...

Nov 30, 2016 Today, we’re celebrating the seventy-third birthday of one of American cinema’s most lyrical and enigmatic storytellers. Over the course of more than four decades, Terrence Malick has established a distinctive aesthetic that juxtaposes the majestic beauty of nature with the...

Nov 29, 2016 Anahita Ghazvinizadeh’s short film Needle, which won the 2013 Cinefondation prize at Cannes, premieres today on the Criterion Channel as part of our weekly Short + Feature. I first met Anahita through programming the short at the Chicago International Film...

Nov 29, 2016 In the first installment of our new video series Under the Influence, the Moonlight director waxes rhapsodic about Chungking Express and In the Mood for Love.

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