Jan 9, 2023 We gather some of the best recent writing on the National Society of Film Critics’s choices for the best films of 2022.

Jan 6, 2023 The interdisciplinary Canadian artist was best-known in the States for such landmark films as Wavelength (1967) and La région centrale (1971).

Dec 23, 2022 A roundup of holiday reading featuring Ingmar Bergman, Hou Hsiao-hsien, Damien Chazelle, Ernst Lubitsch, and Carolee Schneemann.

Rotterdam Lines Up

The Daily

Dec 19, 2022 The festival announces the lineup for its first in-person edition since 2020.

Dec 13, 2022 A departure from the tales of sex and violence that defined Black cinema in the early 1970s, Michael Schultz’s beloved coming-of-age film celebrates the emotional bonds among a group of young Black men.

Dec 13, 2022 MoMA presents newly restored and preserved work by Ozu, Lubitsch. René Clair, Paul Leni, and more.

Dec 12, 2022 Critics, the European Film Academy, and the International Documentary Association spent the weekend listing and awarding.

Dec 6, 2022 Known for their austerity and shocking moments of violence, the Austrian director’s first three films cultivate a kind of humanism in their dogged refusal to coddle the viewer.

Rip This Joint

The Daily

Dec 2, 2022 We’re sorting through the Sight and Sound poll and reading about Paweł Łoziński, the Sankofa Collective, and the first films ever made.

Dec 1, 2022 During the production of our release of Amores perros in 2020, the film’s writer-director, Alejandro G. Iñárritu, gave us a remarkable window into his creative process, showing us some of the dozens of note cards he’d used in planning scenes...

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