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Year One

Dec 6, 2016 Photo by Janet Pierson In the late eighties and early nineties, American independent film was coming into its own both artistically and commercially, and John Pierson was at the center of the movement. Once described by the New York Times...

Dec 2, 2016 Apple TV viewers, you’re in luck! FilmStruck, the new streaming service we launched with Turner Classic Movies last month, is now available on Apple TV fourth-generation devices, in addition to Amazon Fire TV, web, iOS, and Android devices. Those using...

Nov 30, 2016 1.Marlon Brando and his father founded Pennebaker, Inc., one of several companies in the 1950s that were started by leading actors and backed by a major studio. This business model became popular as the “Big Five” studio system began to...

Nov 28, 2016 PerformancesAny paean to noir seductress nonpareil Gloria Grahame—mine included—can’t hope to surpass this encomium from Boyd McDonald, one of her most ardent and articulate devotees. Saluting Grahame’s performance in In a Lonely Place (1950) in his essential 1985 compendium, Cruising...

Nov 25, 2016 In his deeply personal third feature, Noah Baumbach charts a family’s dissolution against the backdrop of 1980s literary Brooklyn.

Nov 22, 2016 I don’t do psychoanalysis, I do cinema. —Athina Rachel TsangariThis week, over on the Criterion Channel, we’re kicking off Meet the Filmmakers, an exclusive new series of encounters with directors we’re excited to champion. For each program, we’ve enlisted a...

Nov 17, 2016 French cinema icon Isabelle Huppert takes the spotlight this weekend, as New York City’s Metrograph theater launches a mini-retrospective of her four-decade career.

Nov 16, 2016 The joy of new love collides with the anxieties of everyday life in Paul Thomas Anderson’s off-kilter foray into romantic comedy.

Nov 15, 2016 Akira Kurosawa lays bare his deepest fears in this visually astonishing interpretation of folklore, myth, and the director’s own dreams and memories.

Masters of Suspense

On the Channel

Nov 11, 2016 This week’s Friday Night Double Feature on the Criterion Channel demonstrates how much suspense a superb director can wring from an intriguing premise without resorting to yelling “boo!” or splashing gore.

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