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May 20, 2010 Driven to Destruction Nagisa Oshima was a destructive force in Japanese cinema—and he wouldn’t have had it any other way. Intent on exploding taboos and jabbing the eye of the status quo, he created films that leave us with a...

Apr 6, 2009 What do Orson Welles, François Truffaut, Mike Nichols, and Peanuts have in common? According to critic Matt Zoller Seitz, they’re just a few of the many influences on Wes Anderson’s films, and in a lovingly assembled and keenly edited five-part...

Sep 19, 1994 The French do not have to take crash courses in order to deal with the man/woman thing. It is in their blood and in their civilization. Hence, they do not have to compensate for a habitual sexism with extravagant portraits...

Jun 21, 2022 Two eras of Hong Kong history collide in this exquisite ghost story, which solidified director Stanley Kwan’s status as one of cinema’s truest romantics.

Mar 23, 2010 In myriad inventive ways, Terrence Malick’s philosophical drama shows us how nature and culture are always intertwined.

Feb 27, 2026 Tony Kushner revisits Munich, a Satyajit Ray restoration hits theaters, and the new Film Quarterly is out and free.

Nov 20, 2018 In the aftermath of the political turmoil that swept through France in 1968, Sylvina Boissonnas used her wealth to sponsor some of the most radical films of the era, including works by Philippe Garrel and Jackie Raynal.

Nov 3, 2015 We present an excerpt from the book David Lynch: The Man from Another Place, by Dennis Lim.

Mar 14, 2005 The first time I put an eye behind a camera (a 16mm Bell & Howell), it was in a lunatic asylum. The head of the institution was a great big hulk of a man with a face so ravaged by...

Aug 19, 2025 In his fifth and sixth feature films, Edward Yang sought to uncover what was hidden in Taipei society, often in plain sight, looking past the city’s shiny skyline to the fault lines beneath the surface.

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