The Criterion Collection
Sep 9, 2019 — In his thought-provoking latest book, the critic and frequent Criterion contributor traces the complex ways European filmmakers have grappled with the influences of Christianity and modernity.
Sneak Peeks
Aug 30, 2019 — Abbas Kiarostami’s Koker Trilogy is a true marvel of narrative construction: the neorealist-like odyssey of Where Is the Friend’s House? (1987) gives way to the slippery intermingling of fact and fiction in And Life Goes On (1992), a road movie...
Aug 28, 2019 — Check out what’s in store next month on our streaming service!
On the Channel
Aug 24, 2019 — The irrepressible Samuel Fuller had quite the career, beginning his apprenticeship in the cutthroat world of New York newspapers at the age of twelve and going on to become a decorated veteran of World War II, before making a name...
Aug 15, 2019 — The Film Lucille Carra’s 1991 film The Inland Sea is a selective adaptation of the classic 1971 travelogue/memoir of the same name by the renowned expert on all things Japanese—and for cinephiles, the man who was most profoundly instrumental in...
Production Notes
Aug 2, 2019 — 1. Spike Lee was inspired to write Do the Right Thing by what is now known as the Howard Beach incident. On December 20, 1986, a mob of twelve angry white men chased down and beat three black men who...
On the Channel
Jul 24, 2019 — Ida Lupino had long since established herself as a Hollywood star when, in 1949, she stepped behind the camera for the first time. She didn’t intend to direct Not Wanted, a drama about an out-of-wedlock pregnancy that she cowrote and...
On the Channel
Jul 22, 2019 — In the latest installment of the Criterion Channel’s ongoing series Adventures in Moviegoing, Tony-winning actor, LGBTQ-rights activist, and overall irrepressible talent Alan Cumming takes center stage, sitting down with our own Peter Becker for a revealing and delightful conversation about...
On the Channel
Jun 28, 2019 — Check out what’s in store next month on our streaming service!
Jun 18, 2019 — Bruno Dumont’s remarkable first feature examines the intermingling of the sacred and the profane in the French provinces.