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För att inte tala om alla dessa kvinnor

Mar 21, 2022 Weeks ahead of the lineup announcement, trade publications are making educated guesses.

Perceptive Splits

The Daily

Mar 18, 2022 Ukrainian cinema, suspense vs. dread, and the opposite of synesthesia are on our minds this week.

Mar 18, 2022 With a collection of her films now available on the Criterion Channel, the director behind Still Processing discusses the radically personal nature of her work.

Mar 17, 2022 New restorations of the six films directed by the renowned actress will screen from coast to coast.

First Look 2022

The Daily

Mar 16, 2022 The dark shadow of Putin’s war hangs over much of this year’s program.

Mar 15, 2022 A captivatingly unclassifiable leading man in the 1980s, Hurt often returned to his first passion—the theater.

Mar 15, 2022 The story of queerness in American cinema isn’t complete without the unusual case of These Three (1936) and The Children’s Hour (1961). Both films are based on Lillian Hellman’s 1934 play The Children’s Hour, inspired by an incident in which...

Mar 14, 2022 The Power of the Dog is now the clear frontrunner in this year’s Oscar race.

Mar 11, 2022 This week’s roundup roams from pre-Code Hollywood to the New Hollywood of the 1970s.

Mar 11, 2022 Deep Dives There’s an entire realm of children’s entertainment that survives mostly on the margins of collective consciousness. The average person is unlikely to know Michael Sporn’s name, but if they are of a certain age, they almost certainly have...

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