The Criterion Collection
Jan 13, 2018 — Even as we anxiously await If Beale Street Could Talk, based on the novel by James Baldwin and Barry Jenkins’s followup to Moonlight (image above: directing Alex R. Hibbert), he’s already attached to another project, as Deadline’s Mike Fleming Jr....
The Daily
Nov 13, 2017 — Angela Watercutter’s interview with Steven Soderbergh is actually a sidebar to her piece for Wired on the making of Mosaic—not the browser that put the World Wide Web in the global spotlight back in 1993, but the iOS app that...
Jan 13, 2014 — With economy and panache, Michael Mann established his existential crime drama style with this breakthrough first feature.
Features
Jun 17, 2013 — The author recounts the story of his friendship with the great filmmaker.
A leading figure of the Japanese New Wave, this radical filmmaker tackled taboos and politically charged subjects with stylistic flair and striking symbolism.
Essays
Apr 27, 2009 — Stephen Frears’s gangland drama subverts its genre by removing its villains to an alternate mythic universe, that of the western, as its protagonists traverse the roads that snake through Spain’s arid hills and plains.
Mar 2, 2009 — If Dillinger is dead, who will take revenge? There were movies once that began, “Custer is dead,” in which you could reckon that a lot of Indians were going to pay the price. This bizarre film by Marco Ferreri (only...
Feb 3, 2009 — Luis Buñuel’s surrealist satire is the last film he made in Mexico, the last one in which he used Mexican actors, and most significantly the last one on which he worked with the great Mexican cinematographer Gabriel Figueroa.
Dec 4, 2006 — William Greaves’s masterpiece uses a single situation as the basis for a theme-and-variation structure that interrogates every aspect of the filmmaking process as well as the categories of fiction and documentary.
Essays
Sep 23, 2002 — René Clair’s early sound film is an iconic vision of lower-class Paris bursting with charm and romance.