The Criterion Collection
Sep 13, 2011 — Hollywood has been importing talented European filmmakers at least since the early twenties, when Victor Sjöström and Ernst Lubitsch heeded the siren wail of Tinseltown resources, and their work there has tended to quickly obscure the cultural memory of the...
Jul 19, 2011 — Comedians, writers, and producers Robert Ben Garant and Tom Lennon split their duties in selecting their favorite titles from the collection: the first five are from Lennon, the last are from Garant. Best known for their work on The State...
Apr 25, 2011 — In 1981, the legendary critic went all out for Blow Out, which she thought was De Palma's most mature work to date.
Sep 1, 2010 — The Winnipeg sculptor, painter, and collage artist Marcel Dzama’s eclectic choices for his top ten range from avant-garde underwater shorts (Painlevé) to noir (The Third Man) to New Wave (The Fire Within) to contemporary experimental (Guy Maddin). Dzama's work has...
Some of the world’s great directors did their finest work during a time of terrible conflict and loss.
Feb 17, 2010 — Michael Atkinson writes film criticism for IFC.com, Sight & Sound, and Moving Image Source. His books include Exile Cinema: Filmmakers at Work Beyond Hollywood and the novel Hemingway Deadlights. His writing for Criterion includes essays for Wings of Desire and...
Essays
Aug 18, 2009 — Jacques Tati’s masterpiece converts work into play so pleasurably that it turns the very acts of seeing and hearing into a form of dancing.
Jun 9, 2009 — “It’s worth noting that I have not seen the majority of the films in the collection (giving me hundreds of hours of great stuff to look forward to!),” says Joe Swanberg. “But of the many that I have seen, the...
Jun 3, 2009 — The Curious Case of Benjamin Button property master Hope Parrish writes: “When it came to the postcards and the diary, David was involved every step of the way. I found hundreds of postcards that he narrowed down to the ones...
Apr 20, 2009 — The French scientist-educator-filmmaker Jean Painlevé’s groundbreaking work consistently revealed not only a commitment to informed science and effective communication but to the creative expression of ideas.