The Criterion Collection
Aug 27, 2019 — In 1986, having made a number of child-centered films in his position as the head of the filmmaking division at Iran’s Center for the Intellectual Development of Children and Young Adults (an organization Iranians call Kanoon), Abbas Kiarostami accepted a...
Aug 15, 2019 — The Film Lucille Carra’s 1991 film The Inland Sea is a selective adaptation of the classic 1971 travelogue/memoir of the same name by the renowned expert on all things Japanese—and for cinephiles, the man who was most profoundly instrumental in...
Aug 14, 2019 — There is a scene in Henry King’s State Fair (1933) that ranks among the most poetic moments in all of 1930s American cinema. There is not much to it, just a family driving through the dusk in their rattling pickup...
The Daily
Jul 12, 2019 — This week: Michael Mann, Peter Strickland, Pedro Almodóvar, Luc Moullet, and a forgotten chapter of film history.
The Daily
Jul 11, 2019 — The great Italian actress worked with Truffaut, Fellini, Antonioni, Losey, Dassin, Bava, and Robert Wise.
Jul 3, 2019 — Punk has been tamed, punk has been neutered, punk has been domesticated. The album The Stooges is fifty years old this August, and the music of omnidirectional bile and antiauthoritarianism that it anticipated has been museumified, the subject of a...
Jun 18, 2019 — In his idiosyncratic, award-winning second film, Bruno Dumont uses the story of an alienated police detective to investigate the most elemental aspects of human experience.
Jun 17, 2019 — Performances I can’t remember a time in my childhood when I saw a grown-up cry. It wasn’t that the elders around me were all that even-tempered; most of them were no less capable of lashing out in anger or indignation...
The Daily
Jun 14, 2019 — On the late Peter Whitehead, Jordan Peele’s Us, drag culture, European refugees, and images of incarceration
Jun 11, 2019 — The problem with Fred Astaire and Ginger Rogers movies, everyone agrees, is that there is never enough dancing. You have to wait through often silly plots and hit-or-miss comedy for the musical numbers that are the whole point. But the dances...