The Criterion Collection
Feb 1, 2022 — Douglas Sirk’s 1956 masterpiece is a visceral tragedy that lays bare the spiritual malaise of the ruling class.
Sep 29, 2021 — Luchino Visconti’s scandalous antifascist melodrama envisions the liquidation of desire with expressionistic panache.
The Daily
Dec 10, 2020 — Twenty-four features from around the world offer a remedy for cabin fever.
Oct 20, 2020 — At the start of The Gunfighter, Jimmy Ringo is a man with eleven kills to his name, soon to be twelve. But the only place he actually appears to be very violent, or even very vital, is in other people’s...
Aug 18, 2020 — A sensuous exploration of amorous discontent and dreadful miscalculation, The Comfort of Strangers (1990) could be described as an erotic thriller, though it rarely is: its eroticism is too perverse, its pedigree too highbrow. Directed by Paul Schrader and based...
May 26, 2020 — Richard Ford’s 1990 novel Wildlife begins with this arresting sentence: “In the fall of 1960, when I was sixteen and my father was for a time not working, my mother met a man named Warren Miller and fell in love...
On the Channel
May 31, 2019 — Channel Calendars The Man Who Fell to Earth (1976) It’s vacation season, and we have a month of exciting journeys for you on the Criterion Channel. Get ready to travel through Europe with Ingrid Bergman, get lost in the enigmatic...
May 28, 2019 — It has taken me forty years to appreciate the audacity of Agnès Varda in writing and directing One Sings, the Other Doesn’t (1977). Not only did Varda make her subject the most crucial and vexed issue of the feminist movement, at that...
Aug 26, 2018 — Tomás Gutiérrez Alea brought cinema to the center of Cuban society with this richly ambiguous portrait of postrevolutionary Havana.
Essays
Jul 2, 2018 — Josef von Sternberg may have been one of cinema’s original micromanagers, but his films are testaments to longstanding collaborations with brilliant artists and technicians.