The Criterion Collection
The Daily
Jan 29, 2018 — New York. The Metrograph’s “essential series Tell Me: Women Filmmakers, Women’s Stories gets its title from a 1980 documentary by Chantal Akerman called Dis-Moi, which is one of the earliest filmed works of oral history about the Holocaust,” writes Richard...
The Daily
Jun 18, 2017 — “This book will be one of the most important film publications of 2017,” declares David Bordwell, introducing a guest post from Charles Maland, who’s edited Complete Film Criticism: Reviews, Essays, and Manuscripts, Volume Five in the University of Tennessee Press...
In Theaters
Jul 24, 2014 — Repertory PicksOn July 26, 27, and 28, viewers at the Center for Contemporary Arts Santa Fe can see Ingmar Bergman’s Wild Strawberries on the big screen, and thus enter the mindscape of Isak Borg, the film’s indelible main character. Played by legendary...
Sep 4, 2012 — Umberto D. is perhaps the most astringent film ever made about a poor old man and his dog. Critics today tend to like the astringent parts: the long, deliberately undramatic sequences full of mundane activity (such as a housemaid’s morning...
Aug 18, 2008 — This modest-scale psychological drama by Michael Powell and Emeric Pressburger follows an explosives expert with a drinking problem who harbors a great deal of bitterness.
Dec 30, 2003 — Akira Kurosawa was a man of his time, who participated fully in the artistic and intellectual world of Japan from the 1930s until his death in 1998. Although filmgoers may think of him in terms of the screen images he...
May 31, 2022 — Wayne Wang’s breakthrough feature, a milestone in Asian American cinema, is a humorous and intimate snapshot of San Francisco’s Chinatown.
Feb 28, 2012 — In the long history of stage-to-screen translations, there’s never been anything quite like Louis Malle’s Vanya on 42nd Street (1994), an astonishing hybrid blurring the boundaries between theater and film, rehearsal and performance, actor and character. The production began in...
Racquel Gates is an associate professor of film at Columbia University. She is the author of Double Negative: The Black Image and Popular Culture (Duke University Press, 2018) and is currently writing her second book, Blackness and the Invention of...
Sean O’Sullivan is an associate professor of English at Ohio State University and the author of the Contemporary Film Directors volume on Mike Leigh, from the University of Illinois Press.