The Firm

Jan 30, 2024 — A kaleidoscopic work of literary adaptation, Dee Rees’s fourth feature film is anchored in a powerful fraternal bond between two men from opposite sides of the color line.

Oct 27, 2021 — Stephen Winter’s subversive, imaginative work simultaneously celebrates Black queer culture and fiercely threatens cinematic and societal conventions. In conversation as in his work, the director, producer, and writer deftly balances a warm wit with strikingly incisive honesty. Winter has played...

Jan 23, 2018 — “For the second consecutive year, Sundance showed an Academy-ratio film with Ghost in the title, but Bridey Elliott’s feature directorial debut Clara’s Ghost is decidedly not A Ghost Story,” begins Filmmaker’s Vadim Rizov. “Bridey stars along with father Chris, sister...

Jan 22, 2018 — “It is a part he was born to play, and he does it with exactly the right kind of poignantly ruined magnificence,” begins the Guardian’s Peter Bradshaw. “Rupert Everett has written, directed and starred in this gripping drama about Oscar...

Jun 30, 2017 — Starting today, the Film Society of Lincoln Center and Subway Cinema present the sixteenth edition of New York Asian Film Festival, running through July 13 at the Walter Reade Theater and then from July 14 through 16 at the SVA...

Jun 25, 2013 — How Claude Lanzmann made a thoughtful film about the unthinkable and unfilmable.

Feb 22, 2011 — It wasn’t intended. No one could have predicted it. But Sweet Smell of Success turned out to be a terminus where several movie genres and subgenres converged and curdled, producing a uniquely delicious perfume of everlasting cynicism. Inhale deeply. And...

Nov 2, 2008 — To see the gorgeous Fanfan la Tulipe is to go back in time twice over: to the film’s eighteenth-century French setting and to the international cinema world of more than fifty years ago, when this genial action farce was initially...

Jul 1, 1990 — Molded by Alfred Hitchcock’s direction and David O. Selznick’s editing, the film plays upon the conventions of the Gothic melodrama without ever losing its characters’ humanity.

Feb 20, 2024 — I have, over time, become wary of and impatient with the word authentic, especially when it’s too casually and blithely deployed, as it often is these days, to defame or diminish someone or something based on arbitrary standards of what...