Oct 16, 2019 Deep Dives “I have a feeling that the really crucial moments in a film should be wordless,” the Bengali filmmaker Satyajit Ray once said. He was speaking of his 1964 masterpiece Charulata, whose action consists largely of soulful looks passing...

October Books

The Daily

Oct 16, 2019 This month’s round includes new critical assessments of Bresson and Rohmer, Hollywood memoirs, and interviews with living legends.

Oct 15, 2019 Born in Denmark to a wealthy family in 1879, Benjamin Christensen dropped out of medical school to receive training as an opera singer, only to lose his singing voice to what was diagnosed as an incurable nervous illness. He then...

Sep 20, 2019 In the winter of 1981, when I was young, I fell madly in love with a handsome poet. About two weeks into our affaire de cœur, we went to the Thalia on the Upper West Side of Manhattan to see...

Aug 27, 2019 In 1986, having made a number of child-centered films in his position as the head of the filmmaking division at Iran’s Center for the Intellectual Development of Children and Young Adults (an organization Iranians call Kanoon), Abbas Kiarostami accepted a...

Aug 1, 2019 A new book and film series survey the many varied ways filmmakers from outside the country have viewed America.

Aug 1, 2019 A centerpiece for New York, Canadian films in Toronto, genre fare in Austin, and silent classics in Pordenone, Italy.

Jul 11, 2019 The accomplished actor could be “compellingly loathsome,” a “titan” of comedy, and “unexpectedly moving.”

Jul 11, 2019 When we think of Ingrid Bergman, we may immediately call up images of her “you deserve this!” smile, or the indecision on her face in Casablanca (1942). There is a rare kind of suspense in watching Bergman’s face in flux...

Jun 28, 2019 This week’s highlights include an oral history of one of Kubrick’s most challenging sequences and reviews of the latest works from Béla Tarr and Paul Thomas Anderson.

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