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Stuck on You

May 24, 2004 By piling on naturalistic details to keep the heat constantly in our minds, Akira Kurosawa creates a visual and behavioral excess that highlights the fixation of his hero on retrieving his stolen gun.

Nov 13, 2025 The director of Rat Trap and Monologue was an uncompromising artist who helped establish the Indian state of Kerala as a hub of bold political filmmaking.

Jul 14, 2020 Bruce Lee seemed born to be on-screen. At three months old, he appeared as an infant in a Hong Kong movie called Golden Gate Girl (1941). After he died suddenly of cerebral edema in 1973 at the age of thirty-two,...

Jan 7, 2020 Understudies everywhere should take heart at the tale of Katharine Hepburn’s long history with the role of Linda Seton, the high-spirited but reclusive heiress she plays in George Cukor’s 1938 Holiday. When the Philip Barry play the film is based...

Mar 20, 2019 Anatomy of a Gag Harold Lloyd may not have had the melancholy disposition of his silent-clown competitors Charlie Chaplin and Buster Keaton, but he knew how to introduce elements of menace and peril into his comedies in a way that...

Nov 18, 2016 Artists across all mediums have long been obsessed with the challenge of evoking dream states, but film—with its oneiric combinations of light and shadow, and its ability to manipulate time and space—has particularly uncanny access to our nighttime reveries. Whether...

Sep 13, 2016 Kenji Mizoguchi achieved the sublime with this structurally complex portrait of artistic ambition and female subjugation.

Jan 26, 2015 Scenes without endings, sounds without corresponding images, actions without seeming motivation—Lucrecia Martel’s sense-heightening debut offers a cinema of subtraction.

Jun 27, 2011 A rogue’s gallery of vituperative 1950s vixens and night-world tough-guy gargoyles all coalescing in a constellation of twinkling cold war lights, Robert Aldrich’s Kiss Me Deadly is a film of a thousand stars. Stars of every sort, size, and description:...

Thanks to the two most famous roles of her career—the enigmatic woman referred to only as A in Alain Resnais’ _Last Year at Marienbad_ and the middle-aged widow stuck in domestic routine in Chantal Akerman’s Jeanne Dielman, 23, quai du...

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