The Criterion Collection
On the Channel
Dec 6, 2019 — Starting this weekend on the Criterion Channel, you’ll be able to steal some time with one of cinema’s most pulse-pounding subgenres. In the heist movie, even the most perfectly planned crimes run the risk of going awry, putting the mettle...
Dec 4, 2019 — Songbook Midway through Andrea Arnold’s Fish Tank (2009), the plot pivots on a song. “You’ve got some weird shit in here,” says Joanne (Kierston Wareing,), riffling through the CDs in her new boyfriend’s car. It’s the morning after a boozy...
On the Channel
Dec 1, 2019 — This week, we’re giving a lot of thanks for Bette Davis. Two of the films that defined her extraordinary career—the rapturous woman’s picture Now, Voyager and the peerless drama of backstage backstabbing All About Eve—entered the collection on Tuesday. And...
Nov 29, 2019 — Since its debut in 2003, the online film publication Reverse Shot has found playful and provocative ways of blurring the boundaries between presumed opposites. With their tradition of symposiums—collections of newly commissioned essays on various topics and questions in film...
The Daily
Nov 4, 2019 — The Viennese avant-gardiste recontextualized found footage to create a landmark trilogy.
The Daily
Oct 31, 2019 — A series of films by one of India’s greatest and most fiercely independent directors opens in New York.
Essays
Oct 24, 2019 — With deafening footfalls and an earsplitting roar, Gojira, known in the West as Godzilla, first thundered into Japan’s movie houses on November 3, 1954. Six and a half decades later, the monster presides over an international entertainment franchise, having starred...
The Daily
Oct 17, 2019 — Two series offer a wide range of thematic and historical perspectives on the Japanese capital.
The Daily
Oct 16, 2019 — This month’s round includes new critical assessments of Bresson and Rohmer, Hollywood memoirs, and interviews with living legends.
The Daily
Oct 11, 2019 — Highlighted this week are an alternative history, the state of the documentary, and the influence of Antonioni and Pialat.