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Jan 15, 2021 This week we’re reading Greg Tate on MLK/FBI, Ian Christie on the decadence of early British cinema, and Reverse Shot’s 2020 top ten.

Jan 12, 2021 In the course of selling or promoting a film, a director will invariably be asked, “What’s this movie really about?” The desired answer is usually predetermined—marketers want a concise, two-sentence hook; reporters want a sound bite; critics want a thesis...

Jan 1, 2021 Along with new features from Pedro Almodóvar, Lynne Ramsay, and Todd Haynes, the new year will bring series directed by Barry Jenkins, Sofia Coppola, and Wong Kar Wai.

Dec 29, 2020 Channel Calendars The stars are aligned for the first month of the New Year on the Criterion Channel. We’re pleased to be kicking off 2021 with a tribute to Jane Fonda, whose greatest hits reflect her multifaceted career as a political activist...

Dec 18, 2020 From Marlene Dietrich to Tsai Ming-liang, it’s a varied and wide-ranging bunch this week.

Dec 17, 2020 The year 1999 was several months old when I entered Los Guajolotes, a restaurant that, like so many others in Mexico City, has now disappeared. I was walking to my table when a person who appeared to live on the streets...

Dec 15, 2020 One day in the late 1990s, when I was a young staff member at an art and media magazine, my boss asked me to interview an esteemed creative director of an ad agency. A few months earlier, that same magazine...

Dec 1, 2020 Near the end of the late Bengali actor Soumitra Chatterjee’s six-decade career in cinema, journalists liked to ask him one question quite frequently: Why did he never enter Bollywood?Depending on your vantage point, this query is either reasonable or ridiculous....

Nov 25, 2020 “Yes, life is a dream, but sometimes that dream is a fatal abyss.” Wanda in The White Sheik (1952) I have a vivid memory from the first film-studies class I enrolled in, a class on Italian neorealism, where the weekly...

Nov 10, 2020 The coming-of-age drama is generally thought of as portraying adolescence—the sexual awakening, the high-school cliques, the angst about the future. At least that’s the assumption on which Hollywood has profitably based its avalanche of teen pics for lo these many...

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