The Criterion Collection
Feb 6, 2017 — In the inaugural installment of his new column, archivist Michael Chaiken examines the Nobel Prize–winning icon’s unique artistic process through a collection of ephemera.
Features
Oct 4, 2016 — This account of a visit to the Beyond the Valley of the Dolls set is excerpted from an issue of the University of California, Los Angeles, newspaper.
Aug 30, 2016 — Set in nineteenth-century Macao, Orson Welles’s adaptation of a classic tale by Isak Dinesen is a hypnotic meditation on the pitfalls of storytelling.
Features
Jun 29, 2016 — In this essay, first published in Grand Street in 1994, Dr. Strangelove coscreenwriter Terry Southern offers a lively behind-the-scenes look at the film’s production.
Sep 28, 2015 — Rarely has schizophrenia been closer to the surface of American cinema than in the transitional period of 1968–71. Hollywood had just abandoned its censorship code after nearly thirty-five years, and the behemoth studios were heaving and rattling into oblivion or...
Jun 17, 2015 — Taking the form of a casual conversation, Louis Malle’s film about transformative experiences is an outgrowth of its writer-stars’ experimental theater days.
Apr 14, 2015 — Preston Sturges revealed a lot about himself and the movie business in this hilarious and socially committed comedy.
Feb 17, 2015 — It was never, of course, Yasujiro Ozu’s intention that An Autumn Afternoon (1962) should be the final film of his thirty-five-year career as a writer-director. Indeed, before he died on his sixtieth birthday, in December 1963, he had made notes...
Dec 16, 2014 — The prolific and popular Keisuke Kinoshita made his fascinating first movies at a time of great difficulty and censorship, yet their spirit and brilliance shine through.
Oct 27, 2014 — Though he emerged from established stage and screen comedy traditions, Tati invented a completely new filmic language.