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Feb 4, 2021 — Here’s an overview of what critics have been saying about this year’s winners.

Dec 31, 2020 — One of our editors made this as a gift for the Criterion community. We hope you enjoy it!

Nov 25, 2020 — A camera dollies down a hallway into the interior of a nursing home: the opening of Martin Scorsese’s The Irishman (2019) prompts a foreboding that seeps into all that follows. The Five Satins’ 1956 doo-wop classic “In the Still of...

Nov 2, 2020 — Two decades before his inspired turn in Parasite (2019) as a chiseling patriarch—The Man With No Plan—Song Kang-ho became a symbol of new wave South Korean cinema by starring in a pair of iconic films as the movement was beginning...

Oct 15, 2020 — A quick survey of projects in the works coming from Ava DuVernay, Steven Soderbergh, Park Chan-wook, Clint Eastwood, and Ridley Scott.

Sep 30, 2020 — Martin Scorsese’s World Cinema Project No. 3 More than eight decades since its release, Dos monjes (1934) continues to invite reappraisals, as much for its expressionist style—exceptional within Mexican cinema—as for its nonlinear narrative and for the creative contributions of...

Sep 4, 2020 — The festival opens with a winning oddity from Greece and an Italian time-hopping family drama.

Sep 2, 2020 — Festival directors join Venice head Alberto Barbera, who encourages the industry to get back up and running again.

Aug 4, 2020 — The NYFF lines up three films by Steve McQueen, Venice adds two titles, and Telluride reveals the lineup for the edition that would have been.

Jun 23, 2020 — Late in Tokyo Olympiad, Kon Ichikawa’s thrillingly anomalous record of the 1964 Olympic Summer Games, the film documents one of the most taxing contests, the individual modern pentathlon, in a startling montage of still photographs, accompanied by stark sound effects....