The Criterion Collection
Features
Aug 9, 2022 — An indie pioneer whose life was cut tragically short, the Texas filmmaker found grace in the tedium of repressive small-town existence.
Jan 11, 2022 — A searing melodrama that lays bare the trauma wrought by white supremacy and privilege, Thomas Vinterberg’s second feature kick-started the Dogme 95 movement.
The Daily
Jan 7, 2022 — Travel this weekend with Stanley Kubrick, David Bowie, Sarah Maldoror, Lana Wachowski, and Tsai Ming-liang.
The Daily
Oct 6, 2021 — A rediscovered anti-fascist short is among the highlights of this year’s program of restorations and revivals.
Sep 3, 2021 — In the thirty-fifth edition of the Italian festival dedicated to restored films, an eclectic lineup underscores the transportive physicality of cinema after a long year stuck at home.
The Daily
Aug 25, 2021 — Fifteen features and eight programs of short films are set for the festival’s showcase of aesthetically adventurous work.
Aug 3, 2021 — With two short films and his acclaimed debut feature, No Data Plan, now playing on the Criterion Channel, the Filipino American filmmaker discusses his vision of the immigrant experience.
The Daily
Jul 19, 2021 — The Palme d’Or, Caméra d'Or, Un Certain Regard Prize, and Palme d’Or for best short film have all gone to women directors.
The Daily
May 7, 2021 — Critics celebrate the new 4K restoration of The Story of a Three Day Pass (1968).
Features
Apr 21, 2021 — First Person The first time I saw Terence Davies’s 1992 film The Long Day Closes, I was upended by a recurring image of the sensitive Liverpool lad at its heart, his arms folded across a worn window ledge as he...