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Feb 3, 2020 Young filmmakers from Asia have won over audiences and juries alike at this year’s festival.

Dec 13, 2019 A few years ago, Juliette said in an interview that she was building her filmography in disorder. This stayed with me for several reasons, firstly because it demonstrates a deep and intimate understanding of the way in which life and...

Dec 12, 2019 Almost from the moment it arrived on screens in early 2006, Kelly Reichardt’s Old Joy was celebrated as a new milestone for American cinema, even an expression of independent filmmaking’s delayed arrival at maturity. In relating its deceptively simple tale...

Dec 9, 2019 Hollywood’s foreign press and critics’ groups across the nation pick their favorites of 2019.

Dec 3, 2019 Performances If there was one mother-daughter television date my busy mum was always willing to down tools for, it was a Bette Davis movie. Her favorite—and mine, for the preteen period when I gave the thumbs-up to anything my mother...

Nov 15, 2019 It’s a strange feeling: adoring cinema while at the same time always sensing that it’s not made for you. This is how I felt growing up, at least. I came of age watching movies, crushing on them so hard that...

Oshima in Toronto

The Daily

Nov 13, 2019 TIFF Cinematheque presents an eclectic selection of eleven films by the Japanese director.

Nov 12, 2019 The Daytrippers came out in theaters in 1997, back when I was in graduate school at NYU. That was a year when you could rent videotapes everywhere—at Blockbuster, but also at a Laundromat or a bodega. There were still phone booths...

Nov 5, 2019 What began as an artificially stoked-up controversy has led to a vital statement on the present and future of cinema.

Oct 24, 2019 With deafening footfalls and an earsplitting roar, Gojira, known in the West as Godzilla, first thundered into Japan’s movie houses on November 3, 1954. Six and a half decades later, the monster presides over an international entertainment franchise, having starred...

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