The Criterion Collection
Sep 18, 1995 — The global problem of domestic violence destroys families and, in a broader context, locks entire societies into a pathology of pain, distrust, and self-hate. When the basic building blocks of any society—the bonds between mother, father, children—are so grossly violated,...
May 31, 1990 — Isabelle Huppert shot from minor actress to full-fledged French star with a mesmerizing performance as, ironically, a young woman who is incapable of escaping anonymity. In Swiss director Claude Goretta’s elegant, beautifully observed tragedy/character study, Huppert is “Pomme,” a lovely,...
Jan 4, 1988 — The Secret Agent (1936) came to life in the prime of Alfred Hitchcock’s British period. It arrived between the popular triumph of The 39 Steps and the box-office rejection of Sabotage, a more daringly downbeat work. Secret Agent partakes of...
The actor praises the beautiful and tragic performances in Rouge, shares her attraction to David Lynch's mysterious atmospheres, and talks about the tactile pleasures of Body Heat.
The actor, writer, and producer talks about being blown away by Sandra Hüller’s performance in Anatomy of a Fall, shares her attraction to the romance in Love & Basketball, and praises Mississippi Masala as being ahead of its time.
The actor shares her love for My Life as a Dog, praises the films of Elaine May, and selects two high-energy classic Hollywood favorites.
The director of Romería talks about Víctor Erice’s influence on her work, shares how Wanda made her interrogate what feminism really means in cinema, and selects favorites like Umberto D. and Walkabout.
The actor praises the honest and vulnerable performances in John Schlesinger’s films, shares how Klute awakened her love for film noir, and talks about why she keeps returning to The Mother and the Whore.
The writer and director of Blue Heron shares how John Cassavetes inspired her own approach to independent filmmaking, praises The Watermelon Woman and Not a Pretty Picture as essential works of hybrid cinema, and talks about her personal connection to...
The critic and cowriter of Nightmare Alley explores the complexity of Gene Tierney’s femme fatale in Leave Her to Heaven, compares Adam Sandler and Paul Thomas Anderson’s work on Punch-Drunk Love to the collaboration of James Stewart and Alfred Hitchcock,...