The Criterion Collection
The Daily
May 21, 2024 — The reviews are in for Caught by the Tides, Emilia Pérez, and The Substance.
Jun 21, 2022 — “The best actors in the world,” he once said, “are those who feel the most and show the least.”
The Daily
Dec 18, 2020 — From Marlene Dietrich to Tsai Ming-liang, it’s a varied and wide-ranging bunch this week.
The Daily
Aug 24, 2020 — “Temporal pincers” aside, this two-and-a-half-hour puzzler may be easier to follow than you might expect.
The Daily
May 18, 2018 — Critics split over this “urban western,” Garrone’s fourth film in competition.
The Daily
Sep 10, 2017 — “Hirokazu Kore-eda is best known for intimate family dramas that overseas critics often compare to the work of Yasujiro Ozu (1903-63), the genre’s unquestioned master,” writes Mark Schilling, introducing his interview with the filmmaker for the Japan Times. “Kore-eda rejects...
Sep 4, 2017 — “Some films have a heat that makes you shrink from the cinema screen,” begins the Telegraph’s Robbie Collin, “After this morning’s screening of Three Billboards Outside Ebbing, Missouri, I had to check my eyebrows were still intact. The British-Irish director...
The Daily
Sep 1, 2017 — “There are any number of unforgettable images in Ai Weiwei’s Human Flow, the most necessary and comprehensive documentary to date about our planet’s current refugee crisis,” writes IndieWire’s David Ehrlich, “but the most indelible of them all is borrowed from...
The Daily
Jun 26, 2017 — “There can be no debate over the fact that for most of its history Cannes has been the key launching pad for what will account for a fair percentage of the year’s most important films,” grants Cinema Scope editor Mark...
The Daily
May 25, 2017 — “The act of seeing has a special meaning in Japanese director Naomi Kawase’s Radiance, in which the job of character Misako (Ayame Misaki) is to write the scripts for the audio-assist provided for blind patrons at the movies,” writes Barbara...