The Criterion Collection
The Daily
Feb 6, 2024 — Tanaka Toshihiko’s first film launches a projected trilogy of stories set on the Japanese island of Hokkaido.
The Daily
Feb 2, 2024 — Film Forum’s series of thirty films centering on women loving women is “eccentric, enduring, and genre-encompassing.”
The Daily
Jan 29, 2024 — Jurors, audiences, and critics seem to agree that 2024 is off to a promising start.
The Daily
Jan 23, 2024 — Close contenders include Poor Things, Killers of the Flower Moon, Barbie, and Maestro.
The Daily
Jan 18, 2024 — Revival screenings mark the anniversary, and critics list their most-anticipated films from this year’s lineup.
The Daily
Jan 17, 2024 — Steven Soderbergh contemplates writing his first novel, while Keanu Reeves already has; plus notes on Barbara Stanwyck, noir, and more.
Essays
Jan 16, 2024 — Drawing on the influence of a wide range of genres, John Sayles creates a densely layered narrative that unfolds across two timelines and explores the long-hidden secrets of a small border town in Texas.
The Daily
Jan 12, 2024 — This week’s given us essays on Chantal Akerman and Edward Yang and conversations with Takeshi Kitano and Robert Bresson.
The Daily
Jan 10, 2024 — The twentieth edition of MoMA’s festival of film preservation features classics and fresh discoveries from around the world.
The Daily
Jan 3, 2024 — The new year will bring us new work from Leos Carax, Bong Joon Ho, Francis Ford Coppola, Mike Leigh, David Cronenberg, Celine Song . . .