The Criterion Collection
Essays
May 23, 2017 — In one of the first major films to confront the contemporary refugee crisis in Europe, Jacques Audiard brings a genre-busting approach to an explosive subject.
May 23, 2017 — “To premiere one film at Cannes is an honor,” writes Nicolas Rapold in the New York Times. “Being granted two slots in the lineup is a major distinction indeed. But for the prolific South Korean director Hong Sangsoo, the two...
May 21, 2017 — “Arguably, more question marks hung over the prospect of Redoubtable than over any other film in Cannes this year,” begins Jonathan Romney in Screen. “One reason was the idea of Michel Hazanavicius, director of the world-beating The Artist, seeming too...
The Daily
May 21, 2017 — Tonight, Sunday, May 21, 2017, Twin Peaks returns, just as Laura Palmer (may have) predicted it would twenty-five years ago, give or take. Eighteen one-hour episodes, all directed by David Lynch and cowritten with the show’s original co-creator, Mark Frost....
The Daily
May 20, 2017 — “To fans of the mononymous Barbara—the delicate-voiced, emotionally acute French chanteuse adored by everyone from Jacques Brel to François Mitterand—Mathieu Amalric’s mega-meta, dreamily blurred biopic-within-a-film may seem a bemusing tribute to a national icon,” writes Guy Lodge at the top...
The Daily
May 19, 2017 — We’ll get to the film at hand in a moment, but first—and just briefly—there’s no getting around the controversy that’s all but dominated the first couple of days at this year’s Cannes Film Festival. It began, really, when the festival...
Short Takes
Nov 18, 2016 — Artists across all mediums have long been obsessed with the challenge of evoking dream states, but film—with its oneiric combinations of light and shadow, and its ability to manipulate time and space—has particularly uncanny access to our nighttime reveries. Whether...
Sep 13, 2016 — Kenji Mizoguchi achieved the sublime with this structurally complex portrait of artistic ambition and female subjugation.
Sep 1, 2016 — Balancing epic scale with lyrical intimacy, Orson Welles inflects the spirit of Shakespeare’s history plays with his own zest for cinematic invention.
Jun 21, 2016 — Animated in Czechoslovakia amid a Soviet invasion, the French film Fantastic Planet, the third collaboration between René Laloux and Roland Topor, timelessly renders its surreal sci-fi story of captivity and resistance.