The Criterion Collection
May 30, 2017 — In his brilliantly inscrutable debut, Apichatpong Weerasethakul blends documentary authenticity with wild flights of imagination.
The Daily
May 21, 2017 — We begin with Leslie Felperin in the Hollywood Reporter: “A debut feature from Lea Mysius, who only graduated from Paris’ La Femis film school a few years ago, Ava is a sensual, accomplished but awkward study of teen female sexuality,...
May 17, 2017 — “For its 70th anniversary,” begins Boyd van Hoeij in the Hollywood Reporter, “the Cannes Film Festival has, very appropriately, chosen to open with a film by French auteur Arnaud Desplechin, a Cannes discovery whose feature debut, The Sentinel, played in...
In Theaters
Mar 30, 2017 — Repertory PicksNext Monday, the Michigan Theater in Ann Arbor will raise the curtain on the 1969 historical fantasy Fellini Satyricon. Following the underwhelming response to his first color feature, 1965’s gaudily surreal Juliet of the Spirits, and his reluctant abandonment...
Features
Mar 6, 2017 — To commemorate the anniversary of the late Polish master’s birth this week, critic Michał Oleszczyk pays tribute to his mercurial style, urgent political themes, and sly evasion of the censors.
Visual Analysis
Feb 13, 2017 — Under the InfluenceBack in the fall, writer-director Anna Biller traveled to New York from Los Angeles for the theatrical premiere of her third feature, The Love Witch, a subversive horror-fantasy about a spell-casting temptress who falls prey to the psychosis...
Essays
Jan 16, 2017 — Jack Garfein’s no-holds-barred account of sexual assault and trauma captures the volatile sensibility of the Actors Studio.
Oct 18, 2016 — Guillermo del Toro’s anti–Wizard of Oz refracts the surreal traumas of the Spanish Civil War through the eyes of a young girl.
Sep 21, 2016 — An exhilarating blend of noir and splatter-flick tropes, the Coen brothers’ debut feature established their unique brand of cosmic fatalism.
Sep 13, 2016 — Kenji Mizoguchi achieved the sublime with this structurally complex portrait of artistic ambition and female subjugation.