The Criterion Collection
Dec 1, 1986 — Don Siegel’s Invasion of the Body Snatchers (1956) is one cult film that has also won over the cultivated buff. As Peter Morris remarks (in his Dictionary of Films): “Though one of the subtlest films of the genre, containing little...
Dec 6, 2022 — Known for their austerity and shocking moments of violence, the Austrian director’s first three films cultivate a kind of humanism in their dogged refusal to coddle the viewer.
Feb 2, 2022 — Forever associated with Antonioni, the Italian actress cut loose in the 1970s.
With his stunning visuals, ambiguous narratives, and still relevant focus on modern alienation, this Italian master ushered in a new European art cinema permeated by a distinctly contemporary ennui.
Mar 2, 2009 — If Dillinger is dead, who will take revenge? There were movies once that began, “Custer is dead,” in which you could reckon that a lot of Indians were going to pay the price. This bizarre film by Marco Ferreri (only...
Jul 9, 2007 — The names Hiroshi Teshigahara, Kobo Abe, and Toru Takemitsu loom large among Japanese intellectuals of the late twentieth century. Each in his own right was an artist of peculiar genius, each resisting easy classification in conventional categories: Teshigahara as filmmaker,...
Jun 21, 2004 — Indefatigably productive, ingenious, exasperating, narcissistically didactic, slyly self-promoting, abject, generous, exploitative, devoted to the wretched of the earth with honest fervor and deluded romanticism: Pier Paolo Pasolini can easily exhaust the adjective-prone, as man and artist, his person and his...
A Pan-African musical spectacular; an essential queer 1990s romance; an irresistible rock-and-soul comedy; an antifascist fairy tale; an urgent moral thriller; an antiheroic portrait of a famed explorer; three paeans to bodies in motion; a masterpiece of early-1970s American alienation;...
In her raw, evocative dramas, this acclaimed French director has examined the effects of colonialism in Africa and the human struggle for intimacy in a violent and alienating world.
Jun 18, 2019 — In his idiosyncratic, award-winning second film, Bruno Dumont uses the story of an alienated police detective to investigate the most elemental aspects of human experience.