The Criterion Collection
May 19, 2014 — As in his other films, the world of Abbas Kiarostami’s latest is one of simulation, not-quite-realness, and unexpected tenderness.
Sep 25, 2013 — Roberto Rossellini’s tale of modern sainthood demonstrates the importance of opening oneself to the wider world.
Essays
Sep 18, 2013 — This chapter about director Richard Linklater’s beginnings, from the 1996 book Spike, Mike, Slackers & Dykes: A Guided Tour Across a Decade of American Independent Cinema, is by the former producer’s representative, creator and host of IFC’s Split Screen, and...
Features
Sep 4, 2013 — Only Ernst Lubitsch got the great comedian to be as funny on the big screen as he was on the radio.
Sneak Peeks
May 15, 2013 — Delmer Daves’s 3:10 to Yuma, driven by compelling mano a mano suspense, is quite a yarn. It’s no surprise, then, that it’s based on a story by the estimable Elmore Leonard. Known predominantly for his crime fiction such as Get...
Essays
Mar 27, 2012 — Written in five or six days in 1941, in a seaside hotel where he had gone to get away from the Blitz, and by all accounts scarcely revised before being mounted some six weeks later, Noël Coward’s Blithe Spirit became...
Essays
Feb 15, 2012 — Comedy evolves. We long ago bid adieu to the physical acrobatics of Buster Keaton, the wisecracks of Bob Hope, the witty repartee of Cary Grant and Irene Dunne. The now-reigning comedy of embarrassment, seen in the films of Judd Apatow...
Dec 6, 2011 — Ernst Lubitsch’s Design for Living (1933) is what sexy should be—delightful, romantic, agonizing ecstasy. And it’s not just sexy but also revolutionary, daring, sweet, sour, cynical, carefree, poignant, and so far ahead of its time that one could cite it...
Essays
Nov 29, 2011 — Elephant Boy: Child’s Play It’s hard to imagine a movie role more perfectly suited to the actor playing it than Toomai in Elephant Boy (1937), the part that made Selar Shaik—known as Sabu—one of the least likely superstars in Western...
Jun 28, 2011 — Raymond Queneau’s Zazie dans le métro is the funniest book ever written in, and about, the French language. When it came out in 1959, it “made the whole of France laugh,” Jean-Paul Rappeneau, who helped Louis Malle adapt it to...