A Bad Son

Apr 17, 2019 — Showcasing new work by filmmakers at the forefront of nonfiction and hybrid cinema, this year’s edition also pays tribute to three vital groundbreakers.

Oct 2, 2017 — The celebration of the hundredth anniversary of the birth of Robert Mitchum—he was born on August 6, 1917 and died in 1997, just one month short of his eightieth birthday—began in earnest this summer when Il Cinema Ritrovato presented its...

Sep 5, 2017 — “If the only thing we wanted, or expected, a horror film to do was to get a rise out of you—to make your eyes widen and your jaw drop, to leave you in breathless chortling spasms of WTF disbelief—then Darren...

Aug 4, 2017 — “In an unusual bit of programming synchronicity,” writes Ben Kenigsberg in the New York Times, “IFC Center will show High Plains Drifter—one of Clint Eastwood’s earliest directorial efforts, in which he casts himself as an amoral stranger who agrees to...

Jul 23, 2017 — “Exploding across the stressed out summer of 2017 like a powder keg thrown into a room that’s already on fire, Kathryn Bigelow’s hectic but harrowing docudrama account of the 1967 Detroit riots is inevitably as concerned with the persistence of...

Jun 6, 2017 — Combining sardonic humor with poignant characterizations, this cult comedy explores the discontents of two high-school graduates adrift in strip-mall America.

May 25, 2017 — “The botched bank robbery is a well-worn genre staple, but has ever a heist gone quite so wrong to quite such electric, propulsive effect as in Josh and Benny Safdie’s Good Time?” asks Jessica Kiang at the Playlist. “Bouncing wildly...

Nov 15, 2016 — Akira Kurosawa lays bare his deepest fears in this visually astonishing interpretation of folklore, myth, and the director’s own dreams and memories.

Jul 6, 2015 — The Killers (1946) is exemplary film noir from Robert Siodmak, who, on the strength of three films—this, Phantom Lady (1944), and Criss Cross (1949)—stands beside his fellow European exiles Fritz Lang and Otto Preminger as one of noir’s crucial directors....

Dec 13, 2011 — Just what is it that makes Seijun Suzuki’s Tokyo Drifter (1966) so different, so appealing? The cherubic hero in the neat powder blue suit, who looks like he was torn out of a yakuza pop-up book? That hauntingly cornball theme...