To the Night

Jan 22, 2007 — Forget the Beatles vs. Elvis: for me the world is divided into Karloff people and Lugosi people, and I’m in the Karloff clique. Bela Lugosi’s oversize mannerisms and thickly accented drawl have always seemed camp to me, while Boris Karloff’s...

Jan 31, 2018 — This year’s Skandies countdown has begun. Mike D’Angelo’s twenty-third annual survey of critics he knows and trusts is always one of most interesting of the many best-of-the-year lists to spend time with. There are nine categories, including best scene, which...

Nov 1, 2017 — “If you go to a single production this season, make it this one.” That’s Anthony Tommasini, chief music critic for the New York Times, enthusiastically recommending Thomas Adès’s The Exterminating Angel, an opera inspired by Luis Buñuel’s 1962 film and...

May 17, 2017 — “For its 70th anniversary,” begins Boyd van Hoeij in the Hollywood Reporter, “the Cannes Film Festival has, very appropriately, chosen to open with a film by French auteur Arnaud Desplechin, a Cannes discovery whose feature debut, The Sentinel, played in...

Dec 20, 2016 — With only three features under her belt, German director Maren Ade has become one of contemporary cinema’s keenest observers of human behavior.

Feb 1, 2017 — The latest release from Janus Films, Polish director Agnieszka Smoczyńska’s debut feature, The Lure, opens today at New York’s IFC Center. In this spectacular horror-musical hybrid, two carnivorous mermaid sisters are enticed into a lurid life on land in a...

Dec 10, 2013 — In 1998, I interviewed Little Edie Beale, the surviving star of 1976’s Grey Gardens, one of the Maysles brothers’ numerous masterworks (Gimme Shelter, Meet Marlon Brando, and With Love from Truman are equal in technical and emotional innovation). Miss Beale,...

Oct 5, 2012 — Every ten years since 1952, the world-renowned film magazine Sight & Sound has polled a wide international selection of film critics and directors on what they consider to be the ten greatest works of cinema ever made, and then compiled...

Nov 18, 1997 — Erotic and antierotic, Crash the movie begins boldly enough with a vacantly lissome blonde (Deborah Kara Unger) dreamily opening her blouse to press a bare nipple against the enameled surface of an airplane fuselage before allowing a total stranger to...

Nov 29, 2016 — In the first installment of our new video series Under the Influence, the Moonlight director waxes rhapsodic about Chungking Express and In the Mood for Love.