Moment

Feb 2, 2018 — Opening today at the Film Society of Lincoln Center, Iranian master Abbas Kiarostami’s final film, 24 Frames, is a subtle meditation on time and perception.

Feb 2, 2018 — Tell Me: Women Filmmakers, Women’s Stories opens today at the Metrograph and runs through February 15. “Programmer Nellie Killian’s selections, which span more than three decades and a wide range of documentary styles, include fascinating titles by directors with a...

Feb 1, 2018 — G. W. Pabst’s breathlessly paced reimagining of a mine disaster makes an urgent plea for international cooperation in the post–World War I era.

Jan 30, 2018 — With Phantom Thread opening in the UK on Friday, Screen’s Andreas Wiseman gets Daniel Day-Lewis talking about working with Paul Thomas Anderson. “There’s nothing mad you can do that he won’t encourage you to be madder. I love that. You...

Jan 29, 2018 — We begin with the series today, because Michael Haneke has just signed on to direct his first one, Kelvin’s Book. Deadline’s Nellie Andreeva tells us that the “English language, ten-part, high concept series is set in a dystopian world and...

Jan 25, 2018 — “Few filmmakers earn the adjective ‘offbeat’ as definitively as the Zellner brothers, David and Nathan, whose new Western (premiering at Sundance), Damsel, is a goof on the genre in which no trope is left unmolested and nothing goes the way...

Jan 24, 2018 — We begin with Rolling Stone’s David Fear: “Pick any random song by the Coup—we suggest ‘Fat Cats, Bigga Fish’ from their 1994 album Genocide & Juice, or ‘My Favorite Mutiny’ from 2006’s Pick a Bigger Weapon—and you'll get complex anti-corporate...

Jan 23, 2018 — Mandy, screening in the Midnight program at Sundance, “is a midnight-movie festival unto itself,” declares A. A. Dowd at the A.V. Club: “over two gonzo hours, it combines giallo, Clive Barker, Death Wish, prog rock, heavy metal, Heavy Metal, Guy...

Jan 22, 2018 — “In The Tale, an early critical favorite at this year’s Sundance Film Festival and a drama of uncommonly troubling power, Laura Dern plays Jennifer Fox, a documentary filmmaker trying to remember an experience that befell her at the age of...

Jan 22, 2018 — “It is a part he was born to play, and he does it with exactly the right kind of poignantly ruined magnificence,” begins the Guardian’s Peter Bradshaw. “Rupert Everett has written, directed and starred in this gripping drama about Oscar...