The Palme d’Or–winning director praises Catherine Breillat’s cinematic exploration of sexuality, talks about Gena Rowlands and John Cassavetes’s collaborations, and shares a story from the set of one of his films.

The subjects of Crystal Moselle’s award-winning 2015 documentary show off their voracious appetite for cinema, saluting films by everyone from Stan Brakhage to Jean Renoir to Alex Cox to Wes Anderson.

The director of The Right Stuff and The Unbearable Lightness of Being selects a group of films that he hopes will inspire him in his own work, including Amarcord, The Wages of Fear, Fanny and Alexander, and The Battle of...

The director of Creep, The Overnight, and Corporate Animals calls Wings of Desire the film that made him want to make movies, talks about his belated discovery of All That Jazz, and pays tribute to Wes Anderson.

The beloved actor shouts out the brilliance of Marlon Brando, calls Dazed and Confused “a staple” of any good film library, and salutes the magic of Charlie Chaplin.

The writer-director talks about the Yasujiro Ozu classic that inspired his film Little Men, the underrated work of Francesco Rosi, the golden age of repertory cinema in New York City, and a college course in which he studied Shoah for...

The influential cinematographer talks about films that informed his visual style, praises the complexity and simplicity of Yi Yi, and analyzes the opening sequence of Krzysztof Kieślowski’s Three Colors: Blue.

The filmmaking duo talk about their love of black-and-white cinema, the influence of Carl Theodor Dreyer, and the epic scope of The Human Condition.

The writer and director of Safe, Carol, and May December describes the influence that Brief Encounter and Beau travail have had on his work, praises classic Douglas Sirk movies as “the most perfect films ever made,” and gives a shout-out...

Eclipse presents a selection of lost, forgotten, or overshadowed films in simple, affordable editions. Each series is a brief cinematheque retrospective for the adventurous home viewer.

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