The Sin

Nicholas Elliott has been the New York correspondent for Cahiers du cinéma since 2009. He is a programmer for the Locarno Film Festival and a contributing editor for film for BOMB magazine. His writing on film has appeared in Film...

Leonard Quart is Professor Emeritus of Cinema Studies at the College of Staten Island and the CUNY Graduate Center, as well as a contributing editor of Cineaste. His books include American Film and Society Since 1945 (coauthored with Albert Auster)...

Aug 20, 2024 — Delon brought to the films of Melville, Visconti, Deray, and Losey one of the most beautiful faces in all of cinema.

May 31, 2024 — This week revives the ghost of Fellini and overflows with conversations about movies, movies, and more movies.

Oct 24, 2023 — This November, learn the art of the con from some of cinema’s craftiest swindlers, or saddle up alongside some of the most complex and determined female characters in the history of the western.

Sep 30, 2020 — The new issue offers features on films by Gianfranco Rosi, Orson Welles, Ephraim Asili, and Nicolás Pereda.

Feb 12, 2020 — Wes Anderson’s The French Dispatch now has a trailer; and Pedro Almodóvar and Dee Rees are lining up new projects.

Apr 1, 2019 — The artist, photographer, and filmmaker leaves behind one of the most varied and restless oeuvres in cinema.

Nov 28, 2018 — The career of one of Italy’s greatest directors was riddled with scandal and accolades.

Nov 27, 2018 — With The Magnificent Ambersons, Orson Welles created a model of period filmmaking, lightly deploying historical signifiers while focusing on the haunting power of his actors’ faces.