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THROUGH SEPTEMBER 20

Jan 28, 2020 Motherhood is a recurring subject in the films of Pedro Almodóvar. The mothers in his movies are fierce, passionate, and resourceful—often in varying combinations, and to varying extremes. In Almodóvar’s darkly satirical fourth feature, What Have I Done to Deserve...

Jan 28, 2020 The unpredictable story of a family of petty criminals features Evan Rachel Wood, Gina Rodriguez, Richard Jenkins, and Debra Winger.

Jan 27, 2020 Jason Polan and his drawing of King Kong We’re deeply saddened today by the passing of our friend Jason Polan. Jason was an integral part of the Criterion family for over a decade, responsible for, among many other things, the monthly...

Jan 27, 2020 Kirby Dick and Amy Ziering’s On the Record and Kitty Green’s The Assistant explore the “ecosystems of power” that enable abusers.

Jan 24, 2020 All six feet two of Burt Lancaster is spread out next to Deborah Kerr as they kiss each other on the beach in From Here to Eternity (1953). This is one of the most famous movie love scenes, parodied and copied many...

Jan 23, 2020 The return of Miranda July, a first feature from Garrett Bradley, and a new doc from Kirsten Johnson are a few of this year’s most anticipated features.

Jan 21, 2020 Melancholy and offbeat, Anna Mantzaris’s stop-motion animated short Good Intentions tells the tale of a woman involved in a hit-and-run accident that sparks a chain of strange occurrences. Using chubby-cheeked felt puppets that might suggest a more charming, whimsical type of story,...

Jan 21, 2020 One of the lesser-known films in Godard’s extraordinary run of 1960s masterpieces, this severe, angular thriller was the director’s first foray into the political territory that would prove so essential to his later work.

January Books

The Daily

Jan 21, 2020 The Mankiewicz brothers, Jonas Mekas, Werner Herzog, Sidney Lumet, and Ja’Tovia Gary all figure in this month’s roundup.

My Kind of Clown

Features

Jan 20, 2020 In celebration of Federico Fellini’s 100th birthday, the director of The Farewell talks about the deeply moving final scene of Nights of Cabiria and its mixture of pain and hope.

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